Entries Tagged as 'Poetry'

Pie Poems for the Poetry Pie

Oh trouble trouble trouble. What shall I bake for the Martha Stewart pie show? I had such grandiose ideas of different ways to create a poetry pie, but let’s face it, we’re flying 1,500 miles to get there, and it’s going to be tough enough to get my pie with its silver doilies through TSA, although I did check the website and they claim there really is no problem at all. I’ll just send it through the X-ray machine and be on my way, flying to NYC with a pie on my lap, my Mohawk friend Hannah next to me all the way.

Believe me, we are some excited.

I’ve decided: The pie, my dears, will be a decadent brownie pie with a ginger snap crust. Gooey and spicy. Pretty I hope. I make the practice pie tonight, I think.

But first the poems, it needs to be crammed with poetry, just like McCabe (in the Altman film McCabe and Mrs. Miller). And the poetry needs to be of the postcard variety, only about pies and baking, not trains this time.

As it is, I’m pretty far behind on my postcard poems, so maybe this will give me a chance to catch up.

Okay, six poems about pie:

Pat’s Apple Raisin Pie

Kayaking in Florida’s 10,000 islands,

expeditioning with Outward Bound,

I finally shed one more food phobia

and ate a meal that included raisins–

didn’t even try to pick them out.

But still, you know, even so, I don’t regret

passing up Pat’s Apple Pie with Rum-Soaked Raisins

in the filling. It just did not seem right

there on the table with our stoic New England fare.

Yogurt Dream Pie

Yogurt! I loved it! Made it myself in funny

little cups, plugged into a yellow warming tray that

I bought from some catalog. I put it in

everything, even Dream Whip pie with lemon

Jello-O and who knows what else. “I like it,”

said Dad, pointing with his fork. “What’s in it?”

“Yogurt,” I beamed, then watched in astonishment

as he pushed it way, slid back his chair, and

left the kitchen for the comfort and security

of his old, familiar recliner.


Steak and Mushroom Pie

We bought the first one in a tin in some tiny

gourmet shop in Portland, Maine, so cool we were

as college students, English majors, worldly

in our willingness to try something new, something

that I could replicate in our galley kitchen where I had

Already failed so stupendously to create coq au vin

and had come up with pink chicken. But, my dear,

let me tell you, that steak and mushroom pie, the

one that I made myself, still sizzles on my tongue, leaving

its savory essence in memory ever better, every year.

Mincemeat Pie

“Mincemeat pie,” I said to John, “was invented by Paul Bunyan

after Babe the Blue Ox finished off the last of the

real minces, a single-ox extermination unit, that one. So

Paul had to create a dish every bit as sweet and delicious.

I don’t know whether he poured brandy into the first

one, or if that was someone else’s idea, so in either case,

what you have here is actually mock mince.

Not mince.”
“Can’t say that I care,” he said, and sliced his way

through my crust of cookie cuttered stars, ate his way

into yet another Great American Myth.

Another Thanksgiving, Another Pie

Somehow, my son and I developed our

own tradition over the years, never quite getting

the pumpkin pie right, always managing to forget

one ingredient, never two, always finagling our

way through the shopping list, then opening the

oven door to find something unexpected in

shape or texture, but always finding something

for sure that we could pass off as pie.

Boston Cream in Boston

When Nanny turned 72, we all hauled down to

Boston for a night at The Pops, preceded by a

dinner at Jakie Wirth, me a satellite to Nanny’s family

who gossiped and sipped, drank beer,

drank wine. And for dessert the crisp waiters trouped

out with the most fabulous Boston Cream Pie

I have seen in my life, decadent as only custard

and chocolate can be. She cut us each an

ample slice, and surveyed her congenial tribe with

a nod and a knowing grin, a bit of custard on her lip.

It Takes a Train to Cry

My birthday is about to roll around again, and that means it’s been a full year since Little Peach and I made our memorable trip to the island south of Key West. This year, she will be my birthday chaperone once again, for the third year in a row actually, and I’m sure it will be just as memorable, although the memories will be of a different kind.

I can thank my ex-husband Pretty Boy Boyd, for my friendship with Little Peach, at least in part. If my life with Pretty Boy hadn’t been so, well, toxic, I might not have felt the need to flee my home on the edge of the ‘glades and drive five hours straight north to feel safe and nurtured.  Fortunately, thanks to all you all, I now feel safe and nurtured almost all the time. (Let’s face it. There are some poisons that even you cannot prevent.)

I’m looking forward to Peach’s visit. I always feel that she brings out the best of the poetry in me. I’m a little late in sharing this with you, but August was Postcard Poetry month, and I decided to dedicate my efforts to Peach and her family. I may have mentioned this before: They are all train buffs, and size doesn’t matter. From tiny model trains to the biggest engine we can find, they are all over it. So, when I came across a stash of railroad postcards, I knew my poetry for August would have a theme.

Now I want to share them with you, too.

AUGUST POSTCARD POEMS ABOUT TRAINS

Tucson Station

Waiting for Phoenix,
my sister grabbed her guitar,
tossed her hair, and outside
the station, melted into
a herd
of marching band students
their talents encased in
boxes all sizes, not a simple
shape among them.
She hauled her fading
marriage onboard, and
set out, her face reflecting
the same determination as that
of the boy, loading up
an obvious tuba.
Halloween

One Halloween in Miami Beach
we sat on a bench and watched
the costumed world ride by
on city buses and in cabs.
Another year, I rode the train
to Kansas City, my hair slicked
back, my clothes a boy’s,
wing-tipped shoes,
a wonderful joke.
I arrived at the station.
You were not there.
Surprise.

Meditation

Listen to a far away sound
the meditation begins
Listen to the silence behind
the sound
We sit on folding metal chairs
on the second floor of the AA club,
the energy of addiction muffles
the silence.
If we’re lucky, a train will roar by
rattle the building
shake our bones
and take us with it,
leaving only a departing light
in our eyes.

Worst-Case Scenario

You may not know this, but
if your car is stalled on
the track, do not run
away from approaching
disaster. No, get your
feet down on the ground
to the side of the rails
and run forward
forward forward,
as far from the point
of impact as you can possibly be.
Good advice in all sorts of situations,
I believe.

Therapy

My heart poured out, I paused,
tasting metallic emotion,
wanting some tea leaves to
spell out a better story,
wanting the story to
divine a better me.
“I see,” said my therapist,
“love for you is a train wreck.”
My breath flew south,
down the tracks of my life.
“Yes.”

Performance

For some event in junior high, my
high strung teacher had us all perform
a poem for voices, names of trains,
Erie, Lackawana, Susquehannah,
Ohio, and Santa Fe.
Twenty-five sweating pre-teens
and all we had to do was say a word
or phrase in the proper sequence and
oh my god it sounded like a train.
All we had to do was get it right.
If only Steve had not played hookie.
It might have been great.

Crossing

Pick-up truck speeding through
cornfields too late at night
for the driver to care
about anything much as he
tosses out another empty
though the fragrant window
almost to the track
he does not stop but
hits the gas
and we cross over with
seconds to spare.
Even now, I wake up some nights
and see the light of that train
full bright in my face.

Memory Loss

I can’t remember: It goes like
this: “Something something something,
Cry like a train.”
Howl like a river,
Cry like a train?
Laugh like a joker,
Cry like a train?
Scream like a banshee,
Cry like a train?
Tell me you love me,
Cry like a train?

Echo

Florida East Coast F - E - C
a few block to the west
rumbles as freight trains do.
Doppler effect
rocks me to sleep.
Open windows.
Poison jasmine
stabs the night.
Sleepless, I step outside.
Another train calls from the east -
an illusion
bouncing off the
flat canals of my mind

The Box Car Children

Sitting in my third-grade class,
desks still with inkwells then,
I read of runaway industrious
children living in a boxcar,
abandoned, like them,
motionless, steady.
“That’s where I want to be,”
I thought.
“Safe, secure:
I want to live there.”
But now I need motion.
Now I need flow.
I’d live on a boat.

For Robertson Davies

Somewhere in Alberta,
Via Rail paused in its
pursuit of glaciers and hair-pin
curves, gliding to a full stop
by a picture postcard railway station.
In minutes, my feet found
their way to the door
of a tiny bookshop,
full of Canada.

The Visit

First you need to know we
had never been friends, just sisters,
thrown together by biology. Not
much in common except family
history, something from which I’d fled.
But on that weekend, we found
something else, a ghost in a barroom,
a poem on a napkin, the sound of
of giggles in the alley, our heels on the
pavement at two a.m. Drunkenly
silly, she lay down on the tracks,
and I rescued her from absolutely
nothing as no train went by.
That’s all it took.

Copper

High chaparral, high desert,
a land not known to many,
the Phelps Dodge train laden
with ingots would chug down
from the smelter, beside that
patina green river,
echoing endlessly between
the canyon walls, as bits of copper
broke free and left a trail
of treasure
for children to find
along the track.

Chicago

It’s boring, she said, that
trip to Chicago. I had to
disagree, but maybe she
did not take the train on a day
when a deep, dark purple storm
covered the plains and cast
the landscape into a scene
from a 1950s science fiction
novel. We spent the whole trip
looking for spaceships
and little green men.

Tracks

Fingers of weeds between the rails
where once there was speed.
Metal stripes glinting
through summer asphalt
where once there were rails.
Grandfather’s stories of
bitter cold chores
before catching the train
to sit in a classroom
learning Latin and Greek.

Little Sister

A birthday trip from Maine to Boston,
my wish to go by train,
and so we are in Sunday best,
our matching outfits nicely
pointing out our differences in
ages, size, and shape.
I’m lost in daydreams while she
runs the aisles. Exuberant,
offends the crisp conductor with
these simple words,
“We’re coming back on the bus!”

Zhivago

Too much snow inside and out.
Too many people, yet never enough.
Box cars and desolation
keep the passion moving from
Moscow to Siberia
and back again,
Pasternak stoking the fire
with scarred hearts, fatal choices,
love, anger, and desire.

Sammie

We take the three kids to ride
on small trains, perfectly scaled to
work for us giants, perching
gingerly to sit on boxcars
each child embraced in a
seat belt of grown-up arms.
Sammy squirms as I hold
her, blond hair tickling my
chin, we ride together in hot
pursuit of grandparents
and other locomotives of memories.

Hairpin Curve

Somewhere near Banff, we climb
the stairs to the scenic vista
car to watch both fore and aft
as our Via Rail cars wrap
snug to the mountain
twist impossibly to
the edge of the
cliff and noisily vanish
into the blackness of
the tunnel ahead

Rock Island Line

Shut down by greed
more than anything,
the line lives on in
abandonment and cobwebbed
stations, crumbling in small
towns that once knew the
sound of commerce as a
piecing whistle and a
plume of steam.

Fog

Seattle to Mount Vernon,
an easy ride.
I snap photos from
the window and shoot
them out through the
airwaves, nothing
but gray, nothing but
gray. Everyone knows
instantly right
where I am. No
caption required.

Gladys

Arizona dust brightened
the sky and dimmed
our breath,
the silver train from L.A.
running late toward
the Superstition Mountains.
She smiled stepping down
to the platform, gray green
knapsack and khaki slacks.
“The babies cried in Spanish,”
she said. “Aye eee aye eee aye eee.”

Daylight Savings Time

Rushing south in my little tan
truck, you remember the one?
Whenever we went through
a water-filled dip in the road,
the stick-shift became a fountain?
Arrived, we thought, in time for the
Tucson train, with plenty of time
to spare, Arizona time,
but Lordsburg, New Mexico, had
sprung forward, clock hands
waving good-bye down the tracks.

Henry Flagler’s Railway Car

Having spent some time in a cow pasture,
they said, the private car
with its yacht-like interior
at last was recognized,
identified, and restored to its previous
state of robber-baron grandeur. I’ve toured
it twice, but what I still want to know
is how did it get to the pasture
in the first place? And I like to think of
the cows having tea from the silver
service on the mahogany buffet.

Paul Theroux

One of the tricks, he said, in writing
about travel is to be not too well known,
not too easily recognized, and yet
accessible, so people will talk
and share their stories
as they share the compartment
especially on incredibly
long journeys,
across Siberia,
from Boston to Tiera del Fuego,
along the rails of the Orient Express.
I want his job.

Anna Karenina

I love this story.
Do you think it’s true?
Apparently, they say, Tolstoi
once said he was as surprised as anyone
when Anna Karenina threw herself
under the wheels
of that train.

Midnight Special

Working through a stack of
dear Macy’s books,
I’m taken aback
to find the words on
bright cardboard pages
bringing music to my mind:
“Mary Mack, dressed in black,
silver buttons up and down her back.”
I close the book and start to sing.
“No, Grandma” she says.
“There is no midnight special here.”

Well, no, that does not add up to 31 Postcard Poems for August. I only had 27 railroad-themed cards, but I could certainly have written four more train stories. I was surprised by how many different train images, stories, and poems even now fill my mind. A lot of them are about you. Hope you’ll write soon.
P.S. The other four poems are about a boat.

Lemon Mirage Pie

I’ve been doing a little time traveling lately, and I am reporting back to say the trip was highly successful. I visited the Southwestern part of the great U.S. of A., circa 1976, and was surprised to discover that my high school sweetheart was living but a few miles away from me. Of course, in real time, I had no way of knowing that since I had not seen or heard from him since the Summer of 1965.

“Why time travel?” you might well ask. “Don’t you have enough to do at the Pie Shop and Driving Range without gallivanting around the time-space continuum? Aren’t you worried that you might accidentally change history and miss out on all the friends and loved ones you have now?”

Well, no. I don’t worry about that much at all. For one thing, I suspect that you are not that easy to lose. For another, I enjoy the fantasy that we are happily coexisting in different configurations in alternate realities all the time anyway. I’m just especially attached to this particular reality where there are so many lessons yet for me to learn.

But back to the Southwest in the late 1970s: One of my favorite places there was the great dry lake, or playa, near Willcox, Arizona. If you walk out on the cracked and dry land toward the center of the lake, you will at some point realize that you are surrounded by a 360-degree mirage. There, you can convince some fairly gullible people that you are now invisible and can do whatever you like. Warning: You might want to try a few gullibility tests outside the mirage before attempting anything too elaborate.

I loved the idea of living inside a mirage, a conceit which is itself a mirage, and so I wrote this poem, way back then:

Notes on living inside a mirage . . .  .

They’ll have to admit

I’ve gotten harder to find.

The illusion I’m here is proof enough.

I no longer need guards posted outside

to gain belief in  my frail disguise.

(A mad dog or two is enough.)

I hold my mirage skin before me

like a face held up only by bones.

And those who love me,

those I must trust

prevent the world from consuming my life

by keeping in touch with my wavering light.

Passing by, they falter and halt,

taking the chance of talking to air.

They shout at the blur to reach me,

but I’m wrapped like an island

in that watery haze

that cushions the landfall

from the storm dreaming sea.

In silence,

I gauge their uncertain eyes,

their every response

whenever they think they’ve found my soul.

And just as they leave me,

they’ll tell me one more time

if this shimmering skin

is just around me,

or if it’s wrapped around everything else.

That was the desert. Now back-flip me to Maine and my life at 16. It’s a place and time I rarely visit, but now that I have made contact with my former true love, I’ve feel safe to unfurl those memories which I’ve left rolled up so tightly like scrolls for years. Or maybe more like one of those noise makers that you have to blow into to give dimension and sound.

I’ve enjoyed seeing myself as a optimistic girl again, and learning that she was intelligent, artsy, and quirky, all in a good way, mohair sweaters, white lipstick, and all. I’m still flicking the dust off some of those souvenir boxes, marveling always about how much was packed into such a small space of time.

Now, it seems, weeks go by with hardly a single significant event, and I remain the same. I grow a little more skilled at golf and pie-baking. I love you more all the time. I learn a new song for Karaoke night. I am happy, and yet dissatisfied.

I’ve returned from time-traveling thinking I’m on the brink of something new, and maybe I am. Or maybe I just need to spend more time exploring mirages.

As the pie shop takes on an increasingly Victorian ambiance, perhaps we’ll draw in a few steampunk deep-thinkers who will take multi-dimensional travel seriously, as they sit around and sip tea from bone china cups and savor my lemon mirage pie.

Who knows? Maybe they’ll be able to convince me that the road not taken does, in fact, go somewhere else. So far, I’m not so sure. After all, what road did you take to bring you here? Not the one that I took, but I’m always happy to see you walk in the door, still in your safari togs.

Yes, I’ve lived in the desert. I know what it’s like to see it dry out until it cracks. I’ve lived in the mirage and dreamt of water night after night. We have no mirages in the swamp, but we do have golf and pie, and maybe that’s enough.

Why I Live at the Sand Trap

With apologies to Eudora Welty

You may call it a bunker.

I call it a beach.

An ironic oasis in a desert of green,

Its mission is clear,

its intent gives me pause:

a time for reflection,

a change of horizon.

My sand wedge in hand,

I fear not the descent.

I hit the sand,

propel the ball,

and I am out too soon

with hardly a chance

to fully imagine

a lifetime of sand

with striped umbrellas

and cool lemonade,

perhaps something stronger for you.

I wouldn’t mind

a whole game played

from bunker to bunker

from dune to dune

from beach to beach,

transistor radio crackling out

those songs of summers past.

I know there’s a river of cool

below the surface, and

I’m tempted to lurk

like the troll ‘neath that bridge

waiting to see who’ll pay for safe passage,

who’ll pay the toll:

beach blankets, umbrellas, toy trucks,

buckets, and scoops.

From sand box to sand trap,

it all feels like home.

Yes, I’ll move on for now,

but I’m sure I’ll be back.

Swing Thoughts Poem

I’ve been reading a lot lately about “swing thoughts” and how to get your mind right each time you lift a club to send a ball to a predetermined target.

Usually I just think about you.

Swing No Thought

So much advice, so little time.
“Keep your head down.”
“Straighten that elbow.”
“Open your hips, but not too early.”
“Let the club do the work.”
“Breathe!”
“Keep your eye on the ball.”
“Let your legs do the work.”
“Consider the target, not the ball.”

The list of thoughts
will wear you out. How
to stand
to swing
to breathe
to feel
to think
to move
to count
to watch
to see
to imagine
to play.

If only one thought could get you there
from tee to target,
how delicious that would be
like a slice of cold apple crisp
with your first cup of coffee,
like a sliver of pastry
promising more.

If only one thought could cover it all:
trajectory
velocity
momentum
distance
the past
the present
the future
the sound of the wind
the gossip
the grass.

Did you choose the right club?
Did you lock the car?
Was tonight someone’s birthday?
Did that guy flip me off?

If only one thought could open your mind
show you success,
just seconds away,
a beckoning future
in which you’ve controlled
trajectory
velocity
momentum
distance
the past
the present
the future
the sound of the wind
the gossip
the grass.

Unlikely, I think
so maybe instead
simply revel
in rhythm and tempo.

Maybe instead
marvel to see
the ball in fierce flight –
or skipping,
like a stone,
in search of a river.

Laugh.

Things happen for a reason.
Things happen for no reason at all.
Enjoy the possibilities.

Lift the club,
Breathe in and smile.
You’re good to go.
You’ll either be right or wrong.
In either case,
You’ll learn something new.

Don’t think of the outcome.
Don’t think at all.
And when you are done,
Let me know how that works.

Yes,
Quiet your mind.
Step up to the future, and
look for me there.

My Map of Havana

Not easily read
the compass rose pointing
to directions unknown
where I want to travel
with or without caffeine and chocolate
with or without your side-snaking dance steps
with or without your purple sedan

I already know
the taste of mojito
on my tongue before morning
I already know
how to sing in a language
that that does not need words
I already know
the alleyway music
that goes on without me
and maps a new route
that plays through my hands.

I wish you had been there.

I wish you had seen
the architects’ angels
that cast shadows
around me
and drew their own maps
on my brow and my soul.

As I look at my map now
the street music swelters
and fades into the fumes
and Ladas and Fiats
while tourists and families
ride on the bus tops
drive homemade bike rickshaws
line up at the bakeries
and dive from the rocks
into the water
that protects and divides them,
gives shape to the map.

Thru and Thru

I’ve had this song kicking through my mind for a few days, but really only the “Open 24 hours” part. I’m glad to be able to identify it, and to hear the whole thing once again. I’ll save my usual diatribe about The Rolling Stones for another time.

Thru and Thru
(M. Jagger/K. Richards)

You know that we do take away
We deliver too
Open 24 hours babe
Just waiting on a call from you
Waiting on a call from you

Well I’m in the yellow pages
You just take a look
Look me up under services
You know it’s just an open book
Babe it’s just an open book
It’s just an open book
Well baby

Any minute, any hour
I’m waiting on a call from you
And you know this heart is constant
I’m your lover, baby
Thru and thru
Lover, baby, thru and thru

I only found out yesterday
I heard it on the news
What I heard really pissed me off
Cause now I got those fucking blues
I got those awesome blues
Babe I got those nothing blues

Any minute, any hour
I’m waiting on a call from you
And you know this heart is constant
I’m your lover, baby
Thru and thru
Lover, baby, thru and thru

You know that we do take-away
That we deliver, too
We’re open 24 hours, baby
We’re waiting on a call from you
But any minute, baby, any hour
I’m waiting on a call from you
You know that this heart is constant
I’m your lover, baby
Thru and thru
Lover, baby, thru and thru
Lover, baby, thru and thru
Lover, baby, thru and thru


Mixtape from http://favtape.com/search/rolling stones thru and thru

Peeled Onion Dream Pie

“Just peel the onion,” they say.
“Peel back the layers
and see what you find.”

I say “Nothing,” but I am wrong.

Nothing is just what I found
at the time,
but now I know it’s full of space,
and space of course is full of stars.

So we talk about observation,
seeing time move, and
wondering when
and how
simple viewing
moved its way
through the amygdala
to turn itself into critical thinking.

To make this pie,
I suggest you start with
just one large,
unfathomably sweet
Vidalia onion.

Peel it back
until you all you can see is
stars, motion,
and mathematics.

Opine to your heart’s desire.

Percolate.
Steep overnight.
Reflect, and finally
inject with just enough emotion
to give it that special zip.

Spread over a thick skin
of bread dough and minced onion.

Bake in a wood-fired adobe oven
in the dark heart of night
just north of Nogales
while you sing with coyotes
and breathe in the same stars
that you formerly
could not see inside the onion.

Serve in a paper bag.

Try to think your way out of it.

Lemonade Pie

Didn’t get what I wanted, and you know what they said? Honey, when life hands you a lemon, make lemonade. I always said, when life hands you a lemon, look for tequila and salt.

How to make Lemonade Pie:

Take all your disappointments, sorrows, and, grievances

Soak in tequila overnight

Wake up wanting something sweet and crunchy

Find it

Mash it up for the crust with real butter

And extra cinnamon

Distill the liquid ingredients

Until you have something you can use

Fold in some whole organic eggs and heat ever so slowly

In time it will thicken

In time it will jell

Pour into the crust

And then, baby,

All you need to do is

Chill

Poetry and Coffee (sorry, no pie)

The Morning Guy claims not to listen to NPR, but he does seem to read Garrison Keillor’s website “The Writer’s Almanac” which astounds and confuses me. I do listen to NPR, but built up a sensitivity to Keillor’s voice over the years, until it has become a sound akin to fingernails on a blackboard. But that’s another story.

At any rate, I was surprised to find this poem in my in-box this morning, before I even went in to work. “Everyone must read poetry with their coffee,” he’d written on the attached sea-blue Post-It note. I’m not sure if that is meant to be a new rule — The Morning Guy has many of those — or just an observation.

Sadly for me, like the narrator of the poem, I no longer drink coffee. Or smoke. Or drink. Damn, sometimes life is hard. No wonder I look forward to those stormy days when Hurricane Rules Apply.  I used to love a shot of 100-proof Hot Damn followed by a beer chaser.  Oddly enough, I just don’t get the same kick from a cinnamon Altoid and an O’Doul’s.

And I do miss drinking coffee with my poetry. At least I’ll always have pie.

http://writersalmanac.publicradio.org/

Literature in the 21st Century
by Ronald Wallace

Sometimes I wish I drank coffee
or smoked Marlboros, or maybe cigars—
yes, a hand-rolled Havana cigar
in its thick, manly wrapping,
the flash of the match between
worn matchbook and stained forefinger,
the cup of the palm at the tip,
the intake of air, and the slow and
luxuriant, potent and pleasurable
exhale. Shall we say also a glass
of claret? Or some sherry with its
dark star, the smoke blown into the bowl
of the glass, like fog on portentous
morning, the rich man-smell of gabardine
and wool, of money it its gold clip?

Sometimes I wish I had habits
a man wouldn’t kick, faults a good man could
be proud of. I’d be an expatriate from
myself, all ink-pen and paper in a Paris café
where the waiters were elegant and surly,
the women relaxed and extravagant
with their bobbed hair and bonbons, their
perfumed Galoises, their oysters and canapés,
and I’d be writing about war and old losses—
man things-and not where I am, in this
pristine and sensitive vessel, all
fizzy water, reticence, and care, all reduced
fat and purified air, behind my deprived
computer, where I can’t manage even
a decaf cap, a mild Tiparillo, a glass of
great-taste-less-filling light beer.

“Literature in the 21st Century” by Ronald Wallace from Long for This World: New and Selected Poems. © University of Pittsburgh Press, 2003. Reprinted with permission.

Slice Mulligan’s Lyrics

“Golf Songs for the Everyday Golfer”

http://www.slicemulligan.com/lyrics.htm

Making Pie Crust

You must not work the dough too much.
Fine flaky crust
requires a light touch.
I cut the shortening into the flour,
rocking the cutter as I go.
There was a time, though,
when I would grasp two knives
and cleave the ingredients,
both pressing them together
and slicing them apart.
When young, I did not remove my rings.
I don’t even wear them now.
Back then,
I liked the look of gemstones
dappled with bits of dough.
Grandmother would not have approved, though,
and even now,
I know she is watching me.
Not that grandmother taught me how to bake.
Oh, no.
If anything, she showed me that I
could be a real woman
and never cook a god damn thing.
But that’s another story.
She did, however, make a pie crust
that was so flaky
I could peel it apart
with my silver dessert fork,
and find a new horizon
in every translucent layer.
My grandfather was talented with pie, too.
No matter how many people
sat at his table,
he could cut a pie
so that everyone there
had a slice of equal size,
and he always had two.
Somewhere along the line
I learned to lay down waxed paper
instead of a pastry cloth.
I think that is a Nebraska trait.
And when I make my pie crust now,
I travel back there for a moment or two.
I visit the women at my welcoming church
who invited me, the young mother, to join them
in cookie packing one holiday weekend.
One after another, the women came in,
brushing the snow from their sensible boots,
dropping down bags of store-bought cookies,
and saying, “I really don’t have time to bake.”
I knew I was in the right place.
Long ago, for a rolling pin, I chose a wine bottle
that drew me in with its rich green glass.
Now I wield the wooden pin
that I have carried with me for years.
I wonder when the handles broke off?
I wonder why?
It hints of violence in the kitchen, doesn’t it?
I don’t recall any—at least not involving pie,
although …
I did once throw
a fairly hefty farm-grown watermelon
at my fairly hefty farm-grown husband.
But that’s another story.
Now for the best part:
The crust is elegantly thin,
and ready to be transferred to its vessel.
Sometimes I choose the glass pie plates that I bought
when my favorite bar went out of business
and sold off all its cookware.
I don’t believe I ever ate a pie there,
though I would, sometimes, sit at the bar and drink
Glenlivet scotch, and toast the memory
of my late great father-in-law.
My war with him was never open,
but I still think I won.
I’m here now, am I not?
We can only speculate on his whereabouts.
So, where were we?
Ah, the pie crust,
submissive in its pan.
My mother would have me
prick it with a fork,
but I say no.
I go another route,
more seductive, more sublime.
I pull out my crimper
and begin the ritual
of pressing the dough,
embossing the crust
with rosettes and with stars.
It’s a gentle motion of marking territory:
This
pie
crust
belongs
to
me.
Many times,
if I am making a single-crust pie,
this effort remains hidden,
like wearing your best undies
when you go out to play.
But sometimes…
sometimes
I’ll do a two-crust pie,
and then I get the pay-off:
The aahs.
The oohs.
The how-did-you-do-its?
My crimper is a sacred object.
I rank it high in holiness.
Perhaps it is as holy as –
please don’t laugh –
my bean pot.
Both were gifts from Hazel,
wonderful, funny, austere, searching Hazel,
a city girl
who had learned to navigate country life
but never lost her style or poise.
I was barely in my twenties, and she was …
well she was just a little older than I am now.
I was in training to marry her long-haired poet son,
but I never did.
I’ve always felt
that he would have married me
for my incestuous pie crust alone.
It looked like his mother’s.
It tasted like his mother’s.
But in the end,
pastry was not enough.
I triumphed in pie crust, but I did not win in love.
I excelled in pastry, but I failed in common virtue.
And now I know,
pastry is never enough.
And yet, there are days …
there are days
when nothing will console me,
nothing will hold me,
nothing will soothe my fretful soul
quite like making a pie.
And as for the boy I did not marry,
Well, that really is another story.

Copyright 2000, Barbara Jean Walsh